Salon du livre d’artistes / Messe für das Künstlerbuch • Pollionnay-Rhône
Le plasticien et le livre/Der Bildende Künstler und das Buch
3./4. Oktober 2015 Pollionnay-Rhône
Label Résonnance - Biennale de Lyon
Organisation: Association Genevičve Dumont
Künstler der Aquarium Compagnie und der Galerie 378/Nancy
Anne Guerrant • Andor Komives • Annegret Heinl • Noémie Flageul
Marina Haccoun-Levikoff • Alain Hélissen • Brigitte Kohl
Myriam Librach • Sarah Monnier • Claudine Remy.
A n n e g r e t H e i n l zeigt M i n i A R T u r e n
Offene Ateliers Köln 2015
Offenes Atelier/Open studio:
A n n e g r e t H e i n l
11. 09. - 13. 09. 2015
TWO IN ONE
Gemeinschaftsarbeiten von
A n n e g r e t H e i n l & J a n S t e k l í k
Freitag/Friday, 11.09.15
18h - 21h
Samstag/Saturday, 12.09.15
14h - 20h
Sonntag/Sunday, 13.09.15
11h - 19h
Ausstellung / Exhibition • Prag
Milan Adamciak (SK) • Annegret Heinl (DE)
Ben Patterson (USA) • Jan Steklík (CZ)
Galerie Maldoror
Premyslova 9
120 00 Praha 2
Tschechische Republik
Eröffnung: Freitag, 26. Juni 2015, 17.30 Uhr
Opening: Friday 26th June 2015, 5.30 pm
Ausstellung / Exhibition • Domažlice
Galerie Vokno
Mlýn Ostracín 7 okr. Domažlice
Tschechische Republik
Eröffnung: Samstag, 23. Mai 2015, 15 Uhr
Opening: Saturday, 23rd May 2015, 3 pm
Ausstellungsdauer: Bis Oktober 2015
Exhibition period: Until October 2015
Annegret Heinl & Jan Stekliík zeigen/show Flags
Performance • Ostrava
s t r i n g s a t t a c h e d
18. 05. 2015, 19 pm
PLATO - Ostrava City Gallery
A platform for contemporary art
Gong Multifunctional Hall
Dolní Vítkovice, Ruská 2993
Ostrava-Vítkovice / CZ
The title of the performance is derived from the english expression no strings
attached, which means: Doing something for someone without asking for any-
thing in return.
A large space, supported by columns. During the performance, strings are
woven between the columns, horizontally, vertically, diagonally, in all possible
directions. The strings also produce sound, gentle, pulsating, growling, thun-
dering, amplified through attached contact microphones. Gradually the whole
space becomes one extended instrument. The movements of building it simul-
taneously translate into its sound.